Semester | Required 12th Grade
Course Description: Seniors are to take two semester-long seminar options, one in the fall and the other in the spring. All Brentwood students must complete four full years of English. Seniors may also enroll in additional English seminars to meet their interests. All Senior English Seminars will read and examine an equivalent number of texts, compose ~15 pages of analytical and/or creative writing, and complete either a final assessment each semester.
LAtinx – An Exploration of Identity in Los Angeles (BCIL)
Teacher: Mr. Palomino
The L.A. Times calls Los Angeles “a vibrant, ever-changing city defined by its diversity and its diasporas.” In this class the city will be our textbook as we ask questions and discuss complexities of race, identity, class, immigration, gender, place, community, diversity, and diasporas. We will study graffiti murals, taco culture, tattoos, higher education, protests, riots, court cases that shape our nation, film, TV, music, the Dodger’s role, neighborhood maps and other forms of cultural expression. Through project-based learning, collaborative works, and class discussions we will learn from comedians, stars, politicians, ex-gang members, leaders, artists, poet laureates, cooks, and kids. We will ask questions and be comfortable with messy and often contradictory answers, and perhaps more puzzlement. This course cannot promise you grand-narratives, solutions, nor easy definitions, but it can offer you a chance to explore, learn deeply, question what you think you know, and emerge with a deeper understanding of how challenging and complex, how devastating, encouraging, and compelling Los Angeles is, especially when it comes to the many iterations, identities, cross-sections, and representations of the city’s largest ethnic group. Writing for this course will include personal reflections and essays.
Modern Hispanic Literature in Translation
Teacher: Mr. Palomino
Men with enormous wings, polaroids that stop time, and weddings which end in bloodshed: learn how modern Hispanic literature overturns literary paradigms and illuminates Latin America’s challenging history. We’ll compare literature with art and film to understand how the use of different symbols and new ways of telling stories lead you to question the nature of reality, time, race, identity, and humanity.
Students will creatively reimagine their own 21st century realities. By analyzing how authors frame their texts, students will explore ways to tell their own stories and find their own voices as they delve into relationships of power, violence, class, poverty, upheaval or societal expectations.
Fiction and the Human Condition
Teacher: Ms. Gouger
What are the defining features of the human condition? What is our purpose, and how can we ensure a full and meaningful existence? Do we have moral responsibilities to others and to the world at large? This course invites you to engage these questions by studying fictional works through a philosophical and psychological lens. We will study various schools of philosophy and psychology, such as mind-body dualism, ethics, metaphysics, existentialism, eastern philosophy, psychoanalysis, Jungian archetypes, and developmental theories. As writers, students will engage in both personal reflections and analytical responses, seeking ways to apply these themes to own growth and potential. The course will involve thought-provoking discussions, critical observation, and deep inward examination.
Humor Theory in Literature and Life
Teacher: Ms. Gouger
What are the techniques involved in creating humorous works? How might humor influence our perspectives, our experiences, our society, our individual lives? What are the cultural and sociopolitical expectations and norms regarding comedy? This course invites you to engage these questions by studying the essential elements of works of humor - from ancient to contemporary times - and inventing some humor of your own. Students will get the chance to both analyze various comedic texts and write their own humorous pieces. Some styles we will examine include sketch writing, satire, irony, humor in narrative and personal writing, fiction and comedy, and stand-up.
Creative Writing in Study and Practice
Teacher: Dr. Katz or Ms. Gouger
In this course, we will explore Creative Writing in various forms and styles. Students will hone their craft as creative writers through daily writing practice, projects large and small, and through reading mentor authors and texts to better grasp the techniques and arcs that lead to effective, artful writing. This class invites students to consider why they like the media they do. It will use the workshop method, a process by which students will engage -- on a regular basis -- in critical peer reviews of each other’s work to lead to innovative explorations of prose and imagination in addition to thoughtfully-driven revisions and works.
LA in Film and Fiction
Teacher: Dr. Katz
This course will study the diverse cultures of Los Angeles as they are depicted in various works of fiction and non-fiction, films and TV series. Among the issues we will consider are how and why Hollywood chooses to represent the film industry in popular culture, why detective fiction and film noir are the chosen media for uncovering the corruption beneath the glittering surface of the city, and how race relations in the aftermath of the 1992 riots and the OJ Simpson trial continue to be explored in documentaries, films, novels, and music. Students will also be asked to reflect on their own experiences as Angelenos as they prepare to venture out into the world beyond Brentwood. A final project will invite students to explore some aspect of the culture of LA they remain curious about.
Romantic Fictions
Teacher: Dr. Katz
This course will examine depictions of relationships across genres, eras, and media to focus on how works of literature and TV/film treat the topic of romantic love. We will investigate how conventions shape stories of love, and how over time these stories respond to and teach us about the enduring truths and changing realities of friendship, love, marriage, heartbreak, and reconciliation. Particular attention will be paid to how to these stories respond to issues of race, gender, and sexual orientation. Students will write short analytical pieces and, by the end of the course, craft their own storyline for a romantic narrative that challenges the conventions of representing romance.
Wilderness and the Human Experience
Teacher: Mr. Foote
What is the relationship between humans and nature? Do we love nature, or merely the idea of it? What is the impact of civilization on the natural landscape? What role does wilderness play in our mental and physical health? This course invites you to engage questions of gender, race, identity, and especially issues of access/privilege as you explore the role of nature in the human experience, imagination, and survival.
Science Fiction and the Human Experience
Teacher: Mr. Foote
What makes us human? What roles do gender, race, access/privilege, identity play in shaping our outlook on both our own humanity and, more importantly, on the humanity of others? How does the genre of science fiction take us beyond the 'human' to challenge and question our notions of who we humans really are? This course invites you to engage these questions by exploring all that seems beyond the scope of what we know "today," and instead speculate on the what if of "tomorrow": aliens, time-travel, utopias and dystopias, dangerous technology, and more.